Joshua And Ruth Essays - Book Of Joshua, Book Of Exodus, Neviim

Joshua And Ruth Book Of Joshua Chapter 1 The book begins with the history, not of Joshua's life (many remarkable passages of that we had before in the books of Moses) but of his reign and government. In this chapter, I. God appoints him to the government in the stead of Moses, gives him an ample commission, full instructions, and great encouragements (v. 1-9). II. He accepts the government, and addresses himself immediately to the business of it, giving orders to the officers of the people in general (v. 10, 11) and particularly to the two tribes and a half (v. 12?15). III. The people agree to it, and take an oath of fealty to him (v. 16?18). A reign which thus began with God could not but be honourable to the prince and comfortable to the subject. The last words of Moses are still verified, "Happy art thou, O Israel! Who is like unto thee, O people?'' Deu. 33:29. Chapter 2 In this chapter we have an account of the scouts that were employed to bring an account to Joshua of the posture of the city of Jericho. Observe here, I. How Joshua sent them (v. 1). II. How Rahab received them, and protected them, and told a lie for them (v. 2-7), so that they escaped out of the hands of the enemy. III. The account she gave them of the present posture of Jericho, and the panic-fear they were struck with upon the approach of Israel (v. 8?11). IV. The bargain she made with them for the security of herself and her relations in the ruin she saw coming upon her city (v. 12?21). V. Their safe return to Joshua, and the account they gave him of their expedition (v. 22?24). And that which makes this story most remarkable is that Rahab, the person principally concerned in it, is twice celebrated in the New Testament as a great believer (Heb. 11:31) and as one whose faith proved itself by good works, James 2:25. Chapter 3 This chapter, and that which follows it, give us the history of Israel's passing through Jordan into Canaan, and a very memorable history it is. Long afterwards, they are told to remember what God did for them between Shittim (whence they decamped, v. 1). and Gilgal, where they next pitched, ch. 4:19, Mic. 6:5, that they might know the righteousness of the Lord. By Joshua's order they marched up to the river's side (v. 1), and then almighty power led them through it. They passed through the Red Sea unexpectedly, and in their flight by night, but they have notice some time before of their passing through Jordan, and their expectations raised. I. The people are directed to follow the ark (v. 2-4). II. They are commanded to sanctify themselves (v. 5). III. The priests with the ark are ordered to lead the van (v. 6). IV. Joshua is magnified and made commander in chief (v. 7, 8). V. Public notice is given of what God is about to do for them (v. 9?13). IV. The thing is done, Jordan is divided, and Israel brought safely through it (v. 14?17). This was the Lord's doing, and it is marvellous in our eyes. Chapter 4 This chapter gives a further account of the miraculous passage of Israel through Jordan. I. The provision that was made at that time to preserve the memorial of it, by twelve stones set up in Jordan (v. 9) and other twelve stones taken up out of Jordan (v. 1-8). II. The march of the people through Jordan's channel, the two tribes first, then all the people, and the priests that bore the ark last (v. 10?14). III. The closing of the waters again upon their coming up with the ark (v. 15?19). IV. The erecting of the monument in Gilgal, to preserve the remembrance of this work of wonder to posterity (v. 20?24). Chapter 5 Israel have now got over Jordan, and the waters which had opened before them, to favour their march forward, are closed again behind them, to forbid their retreat backward. They have now got footing in Canaan, and must apply themselves to the conquest of it, in order to which this chapter tells us, I. How their enemies were dispirited (v. 1). II. What was done at their first landing to assist and encourage them. 1. The covenant of circumcision was renewed (v. 2-9). 2. The feast of the passover was celebrated (v. 10). 3. Their camp was victualled with

Sweeney Tod essays

Sweeney Tod essays Sweeney Todd: The Demon Barber of Fleet Street Sweeney Todd is based on the 19th century melodrama about a London criminal. Todd is sort of portrayed as a noble figure driven to crime when Judge Turpin takes his wife and child from him. He is unjustly imprisoned and vows revenge not only to the judge, but also to all the people of London. The theater production began with an awesome staging of eeriness to further the mood of the title itself. My attention was captured as soon as the play began. The thick mist gives way to an entire underworld of Londoners. They come out with their gutter costumes and worn-looking faces. In cut-off laconic phrases they sing verses of the Sweeney Todd ballad. The ballad is important to the play. Every time I heard it, it just reminded me of the evil that was on stage. I think this was the purpose of the songto keep the audiences attention focused on the insanity surrounding Sweeneys killing spree. The band of beggars and street people advance toward the audience in rags and in anger. They are very important in showing Sweeneys personality early in the show. To complete the actors purpose, Sweeney Todd himself rises from the pits below. His face has evil and revenge written all over it. Sweeney Todd was very convincing with his role. He has one of the most inspired roles, yet it is filled with dark humor. In on scene where he is proceeding to slit throat after throat, a customer comes in with his family. Sweeney just looks on in irritation and frustration. It is hilarious. Sweeney allows the audience to experience several emotionsfrom horror and disbelief to sympathy and compassion. Although Sweeney is committing murderous acts, he is acting out of the love of his family. His daughter has been stolen from him and his wifes life has been ruined (although he thinks she is dead). Sweeney makes his rage more frightening with the baritone...

David Lynch's Inland Empire Movie Review Example | Topics and Well Written Essays - 1500 words

David Lynch's Inland Empire - Movie Review Example It is essential to realize Lynch's work as an anticipation of the independent aesthetic which has assumed a superior position in Hollywood in the recent past. Lynch's entry into mainstream movie-making, from fine art and mixed media, happened at a time when film industry was in a state of economic and technological transformation. "After Eraserhead (1977) and The Elephant Man (1980), he took the opportunity of Dune (1984) to gain access to a system of production that has consistently appeared puzzled by or suspicious of his ways of seeing From the art-house avant-garde of Eraserhead, to the blockbuster Dune, the television serial Twin Peaks (1990), the porn video culture of Lost Highway (1997) and the 'Disney' family film The Straight Story (1999), Lynch's films give aesthetic form to the synergies of post-classical Hollywood in a way no other contemporary film-maker's work has done." (Sheen and Davison, 2) It is important to note that Lynch's work has been distinctively situated at the nexus of changing systems of distribution and exhibition since 1984 and these changes include the introduction of video and play television at the end of the 1970s and across the 1980s, the rise of the multiplex, with its extended market reach, and the growth of the regional independent cinemas. Most essentially, Lynch's works exhibit an intensely creative approach to the activity of production which can be compared to the classical directors' works which have brought European aesthetic traditions to the studio-system working practices. Inland Empire effectively illustrates Lynch's filmic style and cinematic message and this film significantly continues the director's commentary on Hollywood that he began with his previous works. In a reflective exploration of the film Inland Empire confirms that it very clearly illustrates David Lynch's filmic style and cinematic message, and the creation of this film has been in line with his previous films such as Eraserhead, Mullholand Drive, Blue Velvet, Lost Highway, and Wild at Heart. In this new film, the great eroto-surrealist David Lynch has offered one of the important imaginary orifices of pleasure, which is fascinating and enjoyable. Significantly, Inland Empire can best be comprehended as a supernatural mystery thriller, wherein a vanilla-wholesome Hollywood actress called Nikki Grace accepts the heroine's role in a passionate southern drama about adultery and murder, working with a mischievously handsome actor and an elegant British director. However, to the bafflement and terrified dismay of Nikki Grace, played with unyielding composure and intelligence by Laura Dern, she discovers that the script of the work is a remake of a lost, uncompleted Polish film, and she realizes that the project is curse. It is important to realize that Lynch's new film very well represents his filmic style and cinematic message. As Peter Bradshaw maintains, "Inland Empire is, as with so many of Lynch's movies, a meditation on the unacknowledged and unnoticed strangeness of Hollywood and movie-making in general, though I am bound to say that it does not have anything like Naomi Watts's marvelous 'audition' scenes in Mulholland Drive. The director's connoisseurship of Hollywood, his anthropologist eye for its alien rites, are however as keen as ever." (Bradshaw) Therefore, it is obvious that the new film by Lynch bring out various essential characteristics of a